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The Synth-Pop Duo's Musical Force Dave Ball Passes Away, Aged 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) established Soft Cell alongside Marc Almond at Leeds in 1977

The talented musician, a key member of the groundbreaking 1980s electronic music duo Soft Cell, has died at the age of 66.

Alongside singer Marc Almond, the pair achieved a global success with their version of Gloria Jones' Tainted Love in the mid-80s, and their first record Non-Stop Erotic Cabaret is considered a seminal work of electronic music.

He subsequently founded the pioneering electronic act The Grid, who achieved chart success with 1994's the hit Swamp Thing.

Ball passed away peacefully in his sleep at his home in London on Wednesday 22 October, just weeks after performing a headline show with Soft Cell at the Rewind music event in Henley-on-Thames.

Health Struggles

During that performance, Ball performed in a mobility chair, as he had for the previous couple of years, after a period of ill-health.

"I ended up damage myself significantly," he commented in a recent interview. "I fractured lower vertebrae in my spine and cracked about five ribs and fractured my wrist."

After catching a lung infection and suffering from sepsis, he was placed in an induced coma and remained in the hospital for half a year.

However, he had been in "high spirits mentally" over the warmer months, as he was developing a new album with Almond, titled the upcoming Danceteria, which is set for release next year.

"He was focused and so happy with the new album that we literally finished only a short time ago," said the singer in a heartfelt message.
"It's truly heartbreaking as next year was all set to be such an positive year for him, and I find comfort from the knowledge that he heard the finished record and felt that it was a great piece of work."
Soft Cell performing in the early 1980s
The band were at the vanguard of the synth-pop movement in the early 1980s

Heartfelt Messages

Almond referred to his collaborator as "a wonderfully brilliant musical genius", stating: "He was the heart and soul of Soft Cell and I'm very proud of our body of work.

"Thank you Dave for being an significant aspect of my existence and for the songs you gave me. I wouldn't be where I am without you."

Richard Norris from The Grid, also paid tribute, recalling Ball's "endless laughter" and "unwavering friendship".

"Being in a duo with someone is distinct from joining a band, the connection is very tight," he added.
"That was the case with us. We experienced so many remarkable, incredible, life-affirming experiences as a team. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, pictured at a radio station in recent years

Formative Years

Born into a single-parent household in the city of Chester in the late 50s, Ball was put up for adoption when he was 18 months old.

He was raised in Blackpool with his new family his caregivers, who changed his given name from Paul to his adopted name, together with his sibling Susan, who was similarly welcomed.

He encountered Almond at an art college in the late 70s, where they were both learning fine arts. Inspired by a mutual passion of a music genre, they formed Soft Cell the very year, and promptly produced an extended play.

Musical Partnership

The pair were an distinctive pairing: Ball was the quiet technician, bent over his keyboard, while Almond was a charismatic performer, all glitter and eye-liner; but they achieved a unique musical alchemy.

Ball had developed a interest with electronic instruments after viewing the band Kraftwerk appear on a television science show Tomorrow's World, and started to marry dark electronica to the catchy tunes Almond was composing.

Their signature song became the UK's second most popular single of the early 80s, selling millions of copies globally. Together with hits by other artists, Human League and Ultravox, it helped cleared the path for the electronic music style of the 1980s.

The song was also included on their first album, their initial LP, which spawned two further high-charting singles: Bedsitter and Say Hello, Wave Goodbye.

They continued the album up with the separate release, Torch, which peaked at number two in 1982.

Soft Cell in the studio
The duo were developing fresh songs right up until Ball's death

Career Highlights

Fame had its upsides. "I loved being able to purchase my initial property, having financial security and travelling, which might seem like a beauty queen," Ball not long ago told with a music magazine.

But it also presented problems. "Sudden riches meant we could purchase substances to relieve the monotony" of press appearances and television shows, Ball explained.

"I realize that's a common saying, but it's a cliché for a valid cause, because it applies for so many bands."

During the hedonistic lifestyle, the duo were also drifting apart, but they managed to produce a second memorable record - the unconventional, edgy and fittingly named The Art Of Falling Apart.

They put out one more LP, 1984's This Last Night In Sodom, before ending the group to concentrate on other projects.

Almond went on to have a prosperous solo career, including the chart-topping single Something's Got A Hold Of My Heart; while Ball created The Grid, who combined acid house with melodic sounds over a long-lasting partnership.

Reunions and Final Projects

Soft Cell came back together in 2001, releasing the Top 40 record Cruelty Without Beauty.

After a further break, they returned in recent years, releasing the original singles Northern Lights and Guilty (Cos I Say You Are) before performing what was supposed to be a farewell show at the O2 Arena on 30 September, that year.

Yet, they remained together, recording their latest project, Happiness Not Included, during the pandemic Covid lockdown.

Ball recently described the duo's new album as a homage to the NYC nightlife they visited while recording their initial records.

He noted that his time in medical care had shaped the band's sound.

"I experienced strange recollections when I was in and out of hospital because I was on morphine," he explained to a publication.
"Our latest tracks are a electronic representation of the noises in my head from those days.
"In parallel, it's about the experiences we got up to in the 1980s."

The last versions were finished only a short time before Ball passed away. It is scheduled for launch in the spring of 2026.

The writer

Joshua Gonzales

A digital strategist with over a decade of experience in media innovation, specializing in content marketing and audience engagement across European markets.

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